Raised in Little Rock, Arkansas, Deckert's mother worked as a teacher while his dad worked as an engineer. He calls his upbringing modest but rich in other ways. "My parents just about ran themselves into the ground to make sure we were taken care of, but there was a lot of family time. We didn't really want for anything." Arkansas has remained Deckert's primary home. "I can't really imagine living anywhere else. I have too many good memories here." When you meet Deckert, you can't imagine him living in amongst the industry. "I like LA but I could never work there. I can't handle the pace of a place like that." The closest Deckert has come to leaving Arkansas is when he was awarded a scholarship to study at the University of North Carolina School of the Arts. At the age of 18, he left home to pursue a career in filmmaking. "I always knew what I wanted to do but I got really lucky to end up where I did." By that time, he had written numerous screenplays, most of which he hopes will never see the light of day. "I'd rather people saw the home movies, if I'm honest." It was during his time at film school where he learned to hone his craft. "Mostly short films," he recalls, but he also wrote two feature length screenplays, one of which was Shotgun Stories. After graduating, it took him two years to get the funding together. The movie was shot on a shoestring budget in 2004, but it didn't reach audiences until 2007. "I'm glad it happened that way. There was a lot of uncertainty along the road and I questioned just about everything at one point, but I've never done that since." That confidence has quietly carried through in his work. He started writing his next film, Take Shelter, on the tail end of the success of Shotgun Stories. It is arguably his most personal film and follows a man consumed by apocalyptic dreams, who builds a bomb shelter in order to protect his wife and daughter. His mother's diagnosis of paranoid schizophrenia looms over him as he is caught in a purgatory between dreams and reality. "There are aspects of the story and the characters that are very personal to me. Still, I wouldn't say it's autobiographical. I never imagined myself as the kid in the story." Deckert's own father passed away at the age of 50 after a long struggle with mental illness, but the film he wrote has a different ending. "I did have this urge to vindicate him," Deckert says of his father, "and I think that was born out of the all encompassing loneliness of what ailed him." The movie is a love letter of sorts to his late father, just as his next film, Mud, was a love letter to youth in the south. His latest venture, Midnight Special, is influenced greatly by the movies he grew up watching and re-enacting with his siblings. He admits the appeal is more mainstream than his previous work. Still, it's hard to imagine Deckert making your run of the mill sci-fi movie. "You could say it fits comfortably into that genre. More than that, it's a movie about a father and his son." It's personal again, but that's the filmmaking experience for Deckert. His work has a lot of heart and accomplishes a style that is all his own. What I've learned about Deckert is that he doesn't like to waste time. Any downtime he has is spent researching for future work and he admits that he is already working on his next project, though he is reluctant to give anything away. "I'm still writing and it's early days but it's very different from anything I've ever done, which is exactly what you want to be doing." - He was married to someone outwith the industry for 14 years before they separated in 2010. Their divorce was finalized in 2012. |